Dramaturgies of Collecting: Conserving, Restaging, and Interpreting the Performing Arts 典藏的構作：表演藝術的保育、再現與詮釋【Conference Proceedings 研討會論文集】

Editors / 編者：陳國慧、黎啟勁、楊寶霖
Editorial Advisors / 編輯顧問：Nic Leonhardt、Alan Jones、Juliette Caron
Co-publishers / 聯合出版：國際演藝評論家協會（香港分會）、國際表演藝術圖書館、博物館與資料館協會（SIBMAS）
Publishing Date / 出版日期：2026年4月
ISBN：9789887613886

The ever-expanding creative landscape of the performing arts continues to open new possibilities across disciplines, propelled by technological advances and the evolving potential of artificial intelligence. These forces push the limits of imagination and reshape how we create, experience, and understand performance. At the same time, artists, academics, professionals, practitioners, and enthusiasts—alongside librarians, archivists, collectors, and curators—face complex challenges in preserving and presenting the rich tapestry of performing arts and its emerging history.

The “dramaturgies” of collecting—understood as the strategies of selecting, curating, showcasing, and representing—reveal our visions for safeguarding the performing arts for the future. The papers in this volume examine how dramaturgical approaches to documentation and collection respond to the transforming ecology of performance and the shifting dynamics of society, generating new perspectives and interpretations while opening pathways to new audiences.

表演藝術的創意領域正不斷擴展，隨著科技進步與人工智能的發展，跨領域的全新可能隨之開啟。這些推動力不僅突破了想像力的邊界，更重塑了我們創作、參與和理解表演的方式。在此背景下，藝術家、學者、專業人士、從業員與愛好者，以及圖書館專員、檔案專員、收藏家與策展人，在保存與呈現表演藝術豐富的樣貌及其興起歷史時，正面臨著複雜的挑戰。

典藏的「構作」——選材、策劃、展示與再現的策略——揭示了我們為傳承未來守護表演藝術的願景。本論文集探討了文獻紀錄與典藏的構作方式，如何回應表演生態的轉變以及社會格局的演變，在開闢通往新觀眾群的途徑之際，同時催生嶄新的視角與詮釋。

Read More / 更多內容：
https://www.iatc.com.hk/doc/107902